This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of wo

Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cult

As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International

Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategi